The Hallé: Death and Transfiguration - The Bridgewater Hall - 24 November 22

The Hallé - Death and Transfiguration

Clemens Schuldt conductor | Mariam Batsashvili piano

Thursday 24 November 2022 7.30pm

Event Timings
Auditorium Doors: TBC
Tuning Up: 6.30pm in the Auditorium
Clemens Schuldt discusses the evening’s programme.
Concert Start: 7.30pm
Interval: TBC
Second half: TBC
Finish: TBC

Timings will be updated closer to the concert date. Please check the website on the afternoon of the performance for up-to-date information. All timings are approximate and are subject to change.​

The Bridgewater Hall

Tickets £15.50 to £46.00

All ticket prices include £2.50 booking fee

Access Requirements
To book wheelchair seats or for other access requirements please contact the Box Office Mon-Fri 10am-5pm on 0161 907 9000.

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Flexible Booking
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Discounts & Concessions
Students / Claimants – 10% discount
OAPs (2 Mondays before a performance) – 20% discount
£3 student tickets available in the stalls
Disabled rate – 50% discount plus a complimentary seat for a carer (if required)
Group discounts – 10-29 (10% discount); 30-49 (15% discount); 50+ (25% discount)
£10 Day Tickets available for sale on the day of the concert – maximum of 50 in the stalls
Under 30 concession – 15% discount in prices A, B and C (all areas of hall)
Our Pass – 25 free pairs available for every concert

The Hallé - Death and Transfiguration

Britten Sinfonia da Requiem
Mozart Piano Concerto No.20
Anna Thorvalsdottir Aeriality
R. Strauss Tod und Verklärung (Death and Transfiguration)

Clemens Schuldt conductor
Mariam Batsashvili piano

Following his success conducting the Hallé in Hull, the young German, Clemens Schuldt, returns for his Bridgewater Hall debut. It’s a first time visit too for Georgian Mariam Batsashvili, now established in the UK as a former BBC New Generation Artist. She plays Mozart’s abundantly melodious Piano Concerto No.20, remarkably absent from Hallé concerts for over two decades. With high profile commissions and residencies, the music of Icelandic composer Anna Thorvaldsdottir has won plaudits for its individuality. ‘Nature provides me with my greatest inspiration,’ she explains, as heard in Aeriality where she imagines ‘the state of gliding through the air with nothing or little to hold on to.’ The concert is framed by youthful masterpieces by Benjamin Britten and Richard Strauss arising from the end of life’s journey and the mystery of whatever lies beyond.

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