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BBC Philharmonic - Steve Reich: The Four Sections | Saturday 29 November 2025

BBC Philharmonic - Steve Reich: The Four Sections

Mesmerising shapes, patterns interlocking

Saturday 29 November 2025 7.30pm

The Bridgewater Hall

Tickets £12.00 to £40.00

(All ticket prices include £3.25 booking fee)

Under-30s, students & claimants £10
Senior citizens 10% off

To book wheelchair seats or other access requirements please email supervisors@bridgewater-hall.co.uk or call the Box Office on 0161 907 9000

Event Timings
Auditorium Doors: TBC
Concert Start: TBC
Interval: TBC
Concert Finish: TBC

Timings will be updated closer to the concert date. Please check the website on the afternoon of the performance for up-to-date information. All timings are approximate and are subject to change.​

BBC Philharmonic - Steve Reich: The Four Sections

BBC Philharmonic Orchestra
Colin Currie
conductor

Steve Reich Variations for Winds, Strings, and Keyboards
John Adams Frenzy: a short symphony
Gabriella Smith f(x)=sin²x-1/x
Steve Reich The Four Sections

In Steve Reich’s endlessly tessellating music, shapes emerge, solidify, uncouple, drift away, and begin to emerge anew. Leading the orchestra through this large-scale minimalist exploration is conductor and percussionist Colin Currie, one of the foremost champions of Steve Reich’s music worldwide, and a close collaborator of this American titan.

The programme features two pivotal works by Reich. Variations for Winds, Strings and Keyboards (1979) marked his first composition for an ensemble beyond his own, maintaining his signature chattering repetitions amid an unusual musical haze. The Four Sections breaks new ground with one long acceleration – a departure from the usually constant speed of Reich’s music.

John Adams’s Frenzy is an adrenaline-fuelled single-movement symphony filled with vivid transformations and electrifying energy. The Orchestra will also perform Gabriella Smith’s f(x)=sin²x-1/x. The title of Smith’s piece describes a curve – a shape mirrored by the music itself.

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