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BBC Beethoven Symphony No. 9 | Saturday 13 March 2027

BBC Philharmonic - Beethoven Symphony No. 9

The power of the voice

Saturday 13 March 2027 7.30pm

The Bridgewater Hall

Tickets £12.00 to £42.00

(All ticket prices include £3.25 booking fee)

Students (limited availability) £6.50
Senior citizens & claimants 10% off (excl. booking fee)
Under-30s (limited availability) 30% off (excl. booking fee)

To book wheelchair seats or other access requirements please email supervisors@bridgewater-hall.co.uk or call the Box Office on 0161 907 9000

Event Timings
Auditorium Doors: TBC
Concert Start: TBC
Interval: TBC
Concert Finish: TBC

Timings will be updated closer to the concert date. Please check the website on the afternoon of the performance for up-to-date information. All timings are approximate and are subject to change.​

BBC Philharmonic - Beethoven Symphony No. 9

BBC Philharmonic Orchestra
Anja Bihlmaier
conductor
Hera Hyesang Park
soprano
Jess Dandy
contralto
Robin Tritschler
tenor
Paul Grant
baritone
Ligeti String Quartet
CBSO Chorus

Pauline Oliveros Tuning Meditation
Roderick Williams
Ave Verum Corpus Re-imagined
John Adams
Absolute Jest
Ludwig van Beethoven
Symphony No. 9, ‘Choral’

O Freunde, nicht diese töne!” So begins Friedrich Schiller’s Ode to Joy, commencing the revolutionary choral finale of Beethoven’s last symphony: a universalist paean for peace and brotherhood.

Beethoven’s solo bass commands his friends to come together, singing cheerful songs full of joy. Pauline Oliveros also seeks unity through singing. ‘Listen with your mind’s ear for a tone,’ she writes, beginning a chain of sonic community-making through sharing, matching and supporting.

In between are two works which play with fragments from musical history. After hearing a performance of Stravinsky’s Pulcinella, John Adams was inspired by the composer’s magpie‑ish acquisition of older works. Adams’s source is Beethoven’s late string quartets – Op. 131, Op. 135, and the Grosse Fuge – moments of which he weaves into a 25‑minute work for string quartet and orchestra. Williams, meanwhile, blurs and stretches the famous Byrd piece he sang as a boy treble.

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