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RNCM Symphony 24 WEB

RNCM Symphony Orchestra

Friday 28 June 2024 7.30pm

Event Timings
Auditorium Doors: TBC
Concert Start: TBC
Interval: TBC
Finish: TBC

Timings will be updated closer to the concert date. Please check the website on the afternoon of the performance for up-to-date information. All timings are approximate and are subject to change.​

The Bridgewater Hall

Tickets £21.00

Student/Under 26 | £12

(All ticket prices include £3.00 booking fee)

To book wheelchair seats or other access requirements please email supervisors@bridgewater-hall.co.uk or call the Box Office on 0161 907 9000

RNCM Symphony Orchestra

Emily Pederson New work *
Beethoven Piano Concerto No.4 in G major Op.58
Mahler Symphony No.1 in D major ‘Titan’

Gergely Madaras, Maria Barbosa* conductors
Winnie Su piano

The RNCM’s annual celebratory concert at The Bridgewater Hall returns and we’d love for you to join us.

A new work by student composer Emily Pederson opens the event before concerto competition winner Winnie Su takes to the stage to perform Beethoven’s Piano Concerto No.4 in G major. Gently spoken and remarkably poetic, the concerto’s intimate and unprecedented solo piano opening prepares the scene for one of Beethoven’s most profoundly introspective works. Winnie says, ‘The moment you hear the first chord of Beethoven’s 4th piano concerto, you know you are in for something sublime. As a musician, embracing the multifaceted nature of this [work] is both a privilege and a challenge. We’re not just performers, we are also painters and actors. It’s a journey I eagerly anticipate sharing with my dearest friends playing in the orchestra and the audience at The Bridgewater Hall’.

The evening rounds-off with Mahler’s monumental Symphony No.1 in D major ‘Titan’. Much to Mahler’s dismay, the symphony was not favourably received in most of its early performances —with some reviewers even referring to it as being ‘grotesque’. This set-off a complicated history for the piece, with multiple changes, additions of programme notes, re-writes, removal of programme notes, until it finally reached the iteration we know today.

Like many of Mahler’s works, his obsession with existentialism permeates every corner of this symphony. Mahler himself wrote about the final movement, ‘The hero is exposed to the most fearful combats and to all the sorrows of the world. He and his triumphant motifs are hit on the head again and again by Destiny. …Only when he has triumphed over death, and when all the glorious memories of youth have returned with themes from the first movement, does he get the upper hand, and there is a great victorious chorale!’.

Musical mastery and emotional depth abound, be part of this unforgettable experience in a night that promises to leave you moved and inspired.

Travel & Dining

Travel & Parking

Purchase discounted parking (evening concerts only) along with your concert tickets.

Eating & Drinking

Make your concert experience extra special by upgrading to A-List in the Corporate Members’ Bar (selected concerts only) or booking pre-concert dining.

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